Roswell Morse Shurttleff
Roswell Morse Shurttleff was an artist, born in Rindge, N.H., June 14, 1838; son of Dr. Ashael Dewey and Eliza (Morse) Shurtleff; grandson of Ashael and Sarah (Dewey) Shurtleff and of Isaac and Myriam (Spofford) Morse and a descendant of William Shurtleff, who came from Yorkshire, England, to Plymouth, Mass., in 1628, and of Anthony Morse, who immigrated to Massachusetts from England in 1635. His paternal grandfather served in the wars of 1812 and the Revolution.
After his father’s death in 1840, the family settled in Berlin, Mass., where he attended the common schools. He was graduated from Dartmouth college, B.S., 1857; served as clerk in an architect’s office at Manchester, N.H., in 1857, and removed to Buffalo, N.Y., where he worked at lithography, 1858-59. He attended the evening classes of the Lowell Institute at Boston, Mass., and was employed during the day at drawing on wood by John Andrews, a prominent engraver. He studied at the National Academy of Design, New York city, 1859, and engaged as an illustrator of periodicals, 1860-61.
Shurttleff enlisted in the 99th New York volunteers, April 16, 1861; was promoted lieutenant and adjutant in his company, and was shot and taken prisoner, July 19, 1861, being the first officer in the Union army to meet that misfortune. He was confined in the hospitals and prisons of the Confederate States for eight months, when he was released on parole and resumed magazine illustrating and wood engraving.
Roswell Morse Shurttleff married, June 14, 1867, to Clara E. Halliday, daughter of Joseph B. Halliday and Eleanor (Carrier) Halliday of Hartford, Conn.
He opened a studio in New York city in 1870, and began to make oil paintings of animals, later devoting himself to landscape in both water-color and oil. He became an associate of the National Academy of Design in 1881, an Academician in 1890, and a member of the Water Color society. His best known oil paintings include: The Wolf at the Door (1878); A Race for Life, in the Smith College Art gallery (1878); On the Alert (1879); Autumn Gold (1880); Gleams of Sunshine (1881); A Song of Summer Woods (1886); and Silent Woods, in the Metropolitan Art museum (1892); Mid-Day in Mid-Summer (1899); his watercolors, Harvest Time (1881); Basin Barber, Lake Champlain (1881); The Morning Draught (1881); and A Mountain Pasture (1882); Forest Stream (1886); Mountain Mists (1895); Near the Au Sable Lake (1896); and Edge of the Woods (1900).